Man of the Last Frontier: The
Story of Grey Owl
by Keith
C. Heidorn PhD
As the great doors of the hall are flung
open, a dramatic figure dressed in buckskins and leather entered
proclaiming, "How kola," followed by a few words in the
tongue or the Ojibway nation which he quickly translates to mean:
"I come in peace, Brother."
The
man is Wa-Sha-Quon-Asin, "He Who Flies by Night," Grey
Owl. The brother to whom he speaks is George VI, King of
England. This command performance before the British Royal Family
will climaxed a meteoric and often mysterious career championing
the wilderness, for within the year, Grey Owl, at age fifty, will
be dead.
Who was this man who had come out of the Northern
Ontario wilderness to take pre-war England and North America by
storm by exhorting the glories of the wilderness and the plight
of the beaver?
By his own accounts, Grey Owl was the half-breed
son of Scotsman George MacNeill and Katherine Cochise of the Jacarillo
band of the Apache, born in Hermosillo, Mexico in 1888. His father
had been an Indian scout and friend of Colonel Bill Cody. In fact,
his parents were participating in Buffalo Bill's tour of England
for Queen Victoria's Jubilee in 1887 when, in Grey Owl's words,
they returned to the United States with his "appearance threatening
to become imminent." At fifteen, he set out as a guide and packer
in Western Canada. When silver was struck in the Northern Ontario
community of Cobalt in 1903, Grey Owl followed the rush but was
sidetracked and instead became a trapper and wilderness guide.
The shock, however, was to come a few hours after
Grey Owl's death. The press had long labeled him a "full-blooded"
Indian despite his blue eyes, a fact Grey Owl never bothered to
correct. But Grey Owl was not a full-blooded Indian, nor was he
even a half-breed. Grey Owl was, in fact, born an Englishman, Archie
Stansfeld Belaney, and reared by two maiden aunts in Hastings, England.
He would not see the true wilderness until he was 18 years old.
The repercussions of the revelation shocked those
who knew him and drew damnation from the press who felt they had
been deluded by Grey Owl/Belaney. The truth about Grey Owl the man,
however, did not overshadow the truth of the message on which he
spoke: the plight of vanishing species, symbolized for him in the
beaver. Belaney's nature writings still stand as classics of the
Canadian wilderness,.both in form and message.
The story of Grey Owl is as mysterious in truth
as any fiction. As a child, Archie Belaney had submerged himself
in the study of nature and the tales of the North American Indian.
His childhood was introspective, and he inwardly rebelled against
the stern authority of his Aunt Ada, who wished to mold Archie into
a gentleman so as to not become the irresponsible drifter his father
had been.
At eighteen, against the protests from his aunts,
Archie broke his ties with England and immigrated to Canada settling
at first around Toronto. With the news of a silver strike near Cobalt,
Archie naively headed northward into the wilderness. His near total
lack of practical bush knowledge nearly killed him, but at the moment
of his greatest distress, good fortune placed him in the hands of
woodsman Jesse Hood and a band of Ojibway, who took him in and taught
him the ways of the Ontario wilderness. For the next decade, Belaney
trapped through the winter and worked the summers as a guide or
forest ranger. He never spoke of his past, and in the tradition
of the North Woods, no questions were ever asked.
With the passing years, Belaney relinquished his
past life and adopted the life of the Native Peoples he so admired.
Soon his identity had become so throughly native that on his Army
papers, he was identified as a half-breed.
The Great War pulled Archie and others from the
Ontario wilderness and threw them into the savagery of the European
battlefield. The sights and experience of war abhorred him. After
receiving a foot wound during combat and having his lungs seared
with mustard gas, Archie was released as unfit for further duty
and awarded a pension. Brooding from the experience, Belaney returned
to his Northern Ontario wilderness.
Back in Ontario, the horrors of war took their
toll on his temperament. Belaney developed such a foul temper that
his career as a guide was ruined. Total disregard for his own well-being
nearly ended his life on several occasions. But again, the Ojibway
took him in. Under the care of the venerable tribal elder Neganikabu,
Archie Belaney was trained in the Ojibway manhood rituals. His instruction
culminated in his official adoption into the tribe. The Englishman
Archie Belaney was, for all practical purposes, dead. Born was Wa-Sha-Quon-Asin,
"He Who Flies by Night," Grey Owl, a man of the Canadian wilderness.
With his rebirth, Belaney/Grey Owl's disposition
changed dramatically. His hatred of the white man's world
changed to indifference. And, with the return of his usual humour
and self-confidence, Grey Owl's reputation as a guide was quickly
re-established.
While working in the Temagami district of Northern
Ontario in the summer of 1925, Grey Owl met a young woman, Gertrude
Bernard by name but called Pony. She was part Mohawk, a nation within
the Iroquois Confederacy. Her native name was Anahareo,
the name by which she is identified in all of Grey Owl's writings.
Their brief first encounter stirred Grey Owl's emotions as no one
had before. By the winter, he could no longer be without her. In
a letter, he asked her to visit him. Anahareo came for a week but
stayed for years, leading Grey Owl into the final chapters of his
life.

The tale of the transformation of Grey Owl from a successful trapper
to wildlife conservationist has been well-documented in his autobiographical
book, Pilgrims of the Wild published in 1935. During the
winter of 1926, the trapping had been poor, and it left Grey Owl
with meager earnings. Reluctantly, he planned a spring hunt. It
was such hunts that experienced trappers like Grey Owl had long
deplored, citing them as the prime cause of the rapidly declining
beaver population, for spring trapping invariably left many newborn
beaver kittens orphaned to die of neglect or be killed themselves
in the traps.
Late one day, as Grey Owl was checking his trapline,
he was abhorred to find three beaver kittens and one missing trap.
Upon relating the events of the day to Anahareo, he received an
intense rebuke from her. "You must stop this work. It is killing
your spirit as well as mine." Grey Owl knew she spoke the truth,
but how could he earn a living if he did not trap?
The next morning, they canoed to the beaver lodge
in search of the mother beaver who they believed had been in the
missing trap. Instead they found two orphaned beaver kittens. Grey
Owl and Anahareo adopted the pair, christening them McGinnis and
McGinty. The child-like antics of the "Macs" completely ended thoughts
of future beaver trapping for Grey Owl. After a night in which he
slept with McGinnis cuddled to his neck, Grey Owl proclaimed himself:
"President, Treasurer and sole member of the Society of the Beaver
People." His plans for the society entailed finding a lake far away
from trappers and there establishing a beaver colony and refuge.
Grey
Owl and his "family" traveled to the Lake Temiscouata region on
the Quebec-New Brunswick border to find a remote lake on which to
establish the colony and where he could trap enough other fur-bearing
animals to support the beaver project. Birch Lake, Quebec became
the colony site. There a cabin, later to be named the House
of McGinnis and the scene of Grey Owl's last book Tales
of an Empty Cabin, was built. The area, however, did not support
a fur-bearing population of consequence, and Grey Owl could not
make a living by trapping unless he broke his vow to abstain from
the beaver hunt.
To pass the winter, Grey Owl began to write accounts
of the antics of the "Macs" along with his general observations
on the wilderness around him. Anahareo encouraged him to submit
some of these accounts for publication. Naively, they sent a manuscript
to the editors of Country Life, a British magazine for
wealthy landowners.
Surprisingly, the material was well received by
the Country Life editors. In March, Grey Owl received a
hefty cheque with the suggestion that the editors would be interested
in a book-length manuscript. Joyfully Grey Owl and Anahareo returned
to their cabin, but the elation was to be short-lived. At their
cabin, the pair was met by their old friend Dave bearing a gift
to help their financial situation: the hides of the beavers from
the Birch Lake colony!
In despair, they saw their hopes for a beaver
refuge sink. And with spring break-up, the ultimate sorrow descended
on the pair. McGinnis and McGinty went out for an evening swim and
never returned. Though Grey Owl and Anahareo searched for weeks,
no trace of the two beavers was ever found.
Dave tried to console Grey Owl and Anahareo and
obtain their forgiveness by presenting them with two newly orphaned
beaver kittens. At first Grey Owl was reluctant to accept them,
but at Anahareo's urging finally gave in. The male died after a
few weeks, but the female seemed to thrive in her new environment.
She grew fat and domineering, and soon it became clear that this
beaver was to become the boss of the household. They named her Jelly
Roll, but her bearing and regal overseeing of events at the cabin
earned her the title of the Queen.
Work continued to be difficult for Grey Owl to
obtain, and the lack of money again faced Grey Owl and Anahareo.
By chance, Anahareo had found the opportunity to show some of Grey
Owl's writings to a Montreal woman, Mrs Peck. Impressed by what
she read, Mrs Peck arranged a lecture for Grey Owl. He as terrified
at the prospect, describing his feelings "like a snake that had
swallowed an icicle, chilled end to end." His worries were for naught,
however; the lecture was a tremendous success, not only from an
entertainment point of view, but also financially. Grey Owl and
Anahareo now had a bank account.
With the coming of winter, Anahareo left the cabin
went north to prospect for gold. Grey Owl remained at Birch Lake
with Jelly Roll to write and to continue searching for McGinnis
and McGinty. He wrote several articles recording the life and antics
of Jelly Roll and her new consort Rawhide. It was during this winter
that Grey Owl also wrote The Vanishing Wilderness, his
first book, published under the titled The Men of the Last Frontier
in 1931.
Thereafter, events moved swiftly for Grey Owl.
His articles and lectures brought him considerable attention on
both sides of the international border. The National Parks Service
of Canada took an active interest in Grey Owl's dream of a beaver
sanctuary. They produced a film The Beaver People that
starred Jelly Roll. Now the Government of Canada was willing to
establish a beaver sanctuary in Riding Mountain National Park in
Manitoba. But Grey Owl, Anahareo, Jelly Roll and Rawhide soon found
that Riding Mountain was the wrong place for the sanctuary. Grey
Owl appealed to the Park Service for a change in location. As a
result, the new colony was moved to Lake Ajawaan in Prince Albert
National Park in Saskatchewan.
Over the next three years, the colony grew and
prospered as did Grey Owl's work. He penned his book Pilgrims
of the Wild as well as a novel based on the antics of the beavers
McGinnis and McGinty entitled Adventures of Sajo and her Beaver
People. Grey Owl was soon known and loved throughout North
America and Europe as his books, articles and films met great success.
But for Grey Owl himself, life was going stale.
He longed for the freedom of the backwoods. Anahareo was restless
as well and would soon leave Grey Owl and their young daughter to
strike out into the bush prospecting for gold. In 1935 when Lovat
Dickson, Grey Owl's English publisher and later his biographer,
suggested a European lecture tour, Grey Owl consented reluctantly
hoping that the tour might buoy his failing spirits and refresh
his mission.
The lectures were highly successful financially
and well received although a personal nightmare to Grey Owl. He
felt "like a man standing naked upon a rock" when confronted by
the huge London audiences. The pressure of the press and public
recognition gave him no rest. Perhaps he was tormented by the false
life he had been living. By tour's end, Grey Owl was a tired, old
man although only in his late forties.
The notoriety he gained abroad gave him no peace
at home either. With great effort, he tackled new projects including
a movie about the Northern Ontario wilderness and, what was to become
his last book, Tales of an Empty Cabin.
In 1937, Grey Owl agreed to a second tour of Britain.
The tour again appeared to be a brilliant success, culminating in
a private lecture to the Royal Family at Buckingham Palace. But
with each appearance, a little more of the spark and fire of Grey
Owl the man dwindled. As each of the 140 lectures he was to give
in a three-month period passed, Grey Owl became less the vibrant
man and more the performing machine. Returning home across the Atlantic,
Grey Owl faced a twelve-week North American tour. During this lecture
series, he predicted: "Another month of this will kill me. If I
am to remain loyal to my inner voices, I must return to my cabin
in Saskatchewan."
Shortly after returning to the log house beside
the still frozen Lake Ajawaan, Grey Owl suddenly fell ill. He was
taken to the nearest hospital in a horse-drawn sleigh. There he
was diagnosed with pneumonia. Two days later, he fell into a coma,
and by eight the next morning, Grey Owl was dead. The medical staff
were convinced his illness should not have been fatal. But with
the spirit had died the man.
To summarize the complex philosophy of Grey Owl
into a single sentence would seem an impossible task had not the
man done so for us. In Tales of an Empty Cabin, he wrote:
"Every individual human being, every people as a whole, needs an
aesthetic release; it is part of the business of living, and aside
from the arts, of which we have apparently so few, we will find
it in the lakes and streams and woodlands of our north as nowhere
else."
Grey
Owl's stated mission as the preservation of the Canadian wilderness
in as natural state was possible. Through the influence of McGinnis,
McGinty, Jelly Roll and Rawhide, Grey Owl had the perfect symbol
of the vanishing wilderness -- the symbol of Canada -- the beaver.
He saw the decimation of the beaver population as a sign that civilization
was encroaching too close upon the wilderness. The traditions of
wild places were being infested with the diseases of the cities:
theft, distrust, filth, a lack of understanding of the complex interactions
of life in its natural, wild state.
As with many other hunters, trappers and backwoodsmen,
Grey Owl had became one with the wilderness and its creatures. It
took but a small emotional event to awaken him to the senselessness
and tragedy of the hunt.
"Man's unfair treatment of the brute creation
is too well realized to need a great deal of comment.... Man's general
reaction to his contacts with the animal world...are contempt or
condensation towards the smaller and more harmless species, and
a rather unreasonable fear of those more able to protect themselves....
Whole species of valuable and intelligent animals have been exterminated
for temporary gain." (Tales of an Empty Cabin)
Grey Owl's words re-emphasized those written less
than a century prior in the backwoods of Concord, Massachusetts
by Henry David Thoreau. They also presaged the concerns of future
spokespersons for the wilderness and the environment.
"If we are to become a people of some account
in future history, we must think of something besides the dollar
sign.... We need an enrichment other than material prosperity, and
to gain it we have only to look around.... Is not at least some
of this great Northern heritage worth saving in its original, unspoiled
state, for such a worth purpose?" (Tales of an
Empty Cabin)
Grey Owl was the product of many dichotomies.
He was the romantic who as a youth dreamed of the noble savage and
the glories of the wilderness. Yet, he was also the realist who
ran the trap lines and lived the stark live of the Native American.
He was born an Englishman but reborn an Ojibway. He gave the appearance
of an uneducated man, yet he wrote with the prose of Thoreau mixed
with the poetry of Whitman. A "devil in deerskins" yet a "St Francis
of the Indians."
In an age before pollution and acid rain befouled
Northern streams, logging denuded uncounted square miles of woodland
and species after species faced extinction, Grey Owl was a voice
crying out of the Northern wilderness. Today the echo of his words
still ring true as we enter an new age, an new millennium. His spirit
still flies across the wilderness and we follow.
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